12 Feb 2012

James Sadler's First...

As part of the Nomads project I've asked both Ken and James to give an account of their first encounters with Irish white-trout. James's story arrived this morning and will duly be embedded in the part of the book's gazetteer devoted to the Currane system. But it's such a lovely stand-alone story that I thought readers might like a sneak preview.  Before the words I'll insert two images: (i) James playing his first white-trout on Currane (below), (ii) Sylvester's sensational sweater (above).


The First

Monday, 21st September 2009 was no ordinary day. It was the day I fell in love with sea-trout fishing - and it was the day I fell in Lough Currane.
Until 2009 I’d had very limited fly-fishing experience. You could probably count on your fingers and toes the number of times I’d unsheathed and cast my fly-rod. Even the toes might be a little generous. Now, I’ve used the word ‘cast’. It was more like a… flog, followed by a lash, several more flogs and finished with a shoulder-wrenching lunge. How I managed to catch fish at all in the beginning still amazes me.
I grew up in the Midlands, fishing with roach poles, carp rods and quiver-tips. There wasn’t much notable fly-fishing in the city of Birmingham and to be honest, I wasn’t looking for it. My curiosity about fly-fishing surfaced in 2005 when I was poking around a little ditch in Amstelveen, just south of Amsterdam, on a balmy summer’s afternoon. I’d clocked a school of big carp cruising along the surface the evening before while cycling home from work. I called in sick the following day, loaded up the bike and returned to the ditch to see what I could find. And there I was, hunched amongst the reeds, quietly dealing with cramp, when a wet, black nose appeared from the bushes. Attached to the nose was a black Labrador, who was in turn attached to her owner. ‘Heb je iets gevangen?’ enquired the owner. I looked, baffled, in their direction and rather embarrassingly replied ‘Errrm, sorry. Do you speak English?’ I was expecting to hear that familiar Dutch-accented rejoinder which isn’t too dissimilar to a bad Sean Connery impersonation: ‘Yesh, of coursh I shpeak English.’ But instead, the man replied in real English, a sound that as an expatriate I was sorely beginning to miss, with an accent that was a little hard to place. ‘We can do English. My name’s Chris - and this little tart is called Tess.’ Chris pointed towards his black Labrador, who was happily getting stuck into the tin of sweetcorn that I’d reserved for the carp.
I bumped into Chris several more times while fishing before we exchanged contact details. A month or two later, and he’d hooked me up with a 9-weight fly-rod and was talking about fly-fishing for pike once the warm weather began to wander. I tried fly-fishing a few times, but it failed to really turn me on. It wasn’t until a trip to the Canadian Rockies, armed with a new 5-weight, that I discovered what it was all about. But remember, I was still flogging at this point, attempting to beat the trout over the head with the fly, not hook them.
Fast-forward, then, to Monday, 21st September 2009 and to Lough Currane. The trip  was my first visit to Ireland with Chris, and was the first instalment of our ‘Nomads of the Tides’ sea-trout campaign. It was a relatively mild day for late September. Chris’s diary states that the conditions included temperatures of 17-18°C with a blustery SW wind which conjured up a nice, choppy wave on the lough. Apparently, where sea-trout fishing is concerned, such a wave was A Good Thing.
Finally, I was learning.
We’d arranged to fish Currane with local gillie Sylvester Donnelly. In true Irish form, he was late – creatively late, since he’d been dealing with a cow. (There’s more about the cow below.) Sylvester was the first gillie I’d ever fished with - another factor which would contribute to making this day so special.
What a character Sylvester turned out to be. He reminded me of an Irish Robert DeNiro (be sure to tell him this if you ever have the privilege to fish with him. If he doesn’t recall my name, then remind him of the two Englishmen he gillied the day his cow escaped. He’ll know what you’re talking about). He was wearing a sensationally threadbare sweater that was literally held together by dozens of his immaculately tied sea-trout and salmon flies. The three of us made acquaintance, clambered aboard and ventured onto Currane.
As we were motoring towards our first mark of the day, I fumbled anxiously with the business end of my leader, attempting to rig up a team of wet-flies. Until then, I’d always fished a single fly for fear of tangles and rig-making incompetence. But with the combined years of experience I was fortunate enough to be fishing with, I thought it would only be wise to give the impression that I half-knew what I was doing. I tied the infamous Bibio onto the dropper and a Teal, Blue and Silver onto the point. I was armed and ready for action. On my fourth cast of that first drift - apologies if you were hoping to read about me hooking into a Lough Currane legend - my overly hard-flogged fly cracked Sylvester smack-bang in the back of his skull. I’ll never forget that sound and surely, neither will Sylvester. If you can imagine, for a moment, what the impact would sound like if you were to drop a coconut off the Eiffel Tower, then you’d have a good idea of how terrible that collision actually was. Sylvester looked at me with wincing eyes and with supreme politeness asked me to keep my rod tip a bit higher when casting. What a good start to the day, I thought. That wasn’t the reputation, nor was it the legend, that I was searching for. Looking round warily, Sylvester put on his hat and a large pair of sunglasses. The shades weren’t of of the polarised variety - more like the ‘protect your eyes from projectile Bibio’s’ variety.
Naturally, it wasn’t long before the veteran put us over sea-trout and Chris was into his first ‘Juner’ of the day, which was lovely little fish of 1¼lb. That first fish always brings a sense of optimism. Even if it isn’t ‘your’ fish, then a heightened sense of concentration ensues. You become more in tune with the environment and with one’s casting ability, or so it seems. The second part of that last sentence isn’t entirely accurate – ‘ability’ is perhaps generous - but… After a good enough cast, I began to slowly strip back my flies and suddenly, about six yards from the boat, there was a small boil and my line tightened. With a well-timed strike I lifted into the fish and it leapt with an acrobatic attempt to shake the hook. There was a flash of silver and blue.
Chris’s fish hadn’t jumped. It’s as if the ancient lough herself wanted to impress me. She had decided to put on a show. And what a show it was. I was in awe. I was captivated. I was operating on instinct alone. Did the lough know it was my first sea-trout? Or maybe, for once, the angling gods looked down upon me with kindness.
It wasn’t a big fish – it was somewhere around the pound mark - but it was in peak condition. It made several short runs and tussled under the boat. Sylvester administered an experienced stamp of the foot on the boards of the boat to startle the fish and steer him away from the propeller’s tangle-zone. Finally, I brought the fish to the gunwale so our gillie could net him. The heart-stopping moments of the play were all but over. Sylvester asked me if he could keep the sea-trout for his table, but I politely declined, swiftly unhooked the fish and safely returned him to the waters of the mighty lough so he could continue his journey. The moment was truly perfect - a climax of anticipation, anxiety and months of planning. I think Chris was happy too. Or was he relieved? [No. Just happy. CBMcC] He has a tendency to feel responsible for his party and their fishing. After all, it was he who invited me to work on this project and it was he who’d arranged this wonderful trip. [Delighted. CBMcC]
To this day I’m still unsure why I made the decision to return the sea-trout. It was a gut feeling. I’ve killed fish for the table before and no doubt I’ll kill them again. Superstition maybe? I don’t think so. It was simply one of those moments in life when one truly connects with Nature and her overwhelming power. I think she was testing me and I felt the need to express my gratitude, so she would allow me to return to that incredible part of the world to enjoy what she has to offer. It was also necessary in some way to appease the beady, watching eyes of the angling gods.
Not soon after this life-changing experience, a ringtone began to issue from somewhere in Sylvester’s pockets. He swiftly answered and listened intently to what the caller had to say. He hung up and with a worried look asked us if we minded taking an early lunch because his cow had escaped and was wandering freely around the local village. Of course, we obliged – it’s not good to have a cow on the loose - and set off for shore. Sylvester tied up the boat, made a dash for his car and in a puff of smoke, was gone. It was time for us to take a break and get stuck into our packed lunch.
Sylvester took a while to return  (perhaps he was thinking, between cows, of projectile Bibios) and I find it difficult to sit around doing bugger-all so after the food and drink had been demolished I decided to wade out to the boat to get…something. I can’t remember what it was I was searching for. Maybe I was hoping to find an overlooked cheese sandwich or a bar of chocolate. Whatever it was, I was in such a rush that one foot wrapped around the other and away I went, arse over tit, into Lough Currane. I was up to my neck in it. The waders were compromised. I was fully soaked. Profanities began to fly left, right and centre: ‘Feckin’ eejit’ (from the left), ‘Ahh, me ballix’ (from the right),  ‘Oh, dear’ (from the centre). Chris was howling on the bank. ‘Be careful you don’t choke on that sandwich,’ I said.
So there I was - bloody soaked to the bone, without a change of clothes and a good seven hours of fishing ahead of me. Fortunately, it was warm for September but the wind was picking up, which wasn’t helping much. I removed my waders, drained the excess gallons of water and wrung out my woolly wading socks. Chris was still laughing, and he didn’t – a pity - choke on that sandwich. It was going to be a long day, but the thought of catching more sea-trout spurred me on.
Sylvester returned a happy man after rescuing his cow from the village. Order had obviously been restored to his world and stories of me ‘going for a swim’ made him chuckle too. I no longer felt so bad about the lump on the back of his head. In fact, I was quite tempted to flick it.
The rest of the day provided some enjoyable fishing in and amongst the beautiful backdrop of the southern end of MacGillicuddy’s Reeks – a name which for some reason it’s good to repeat to yourself, silently, as you drift. We didn’t catch scores of trout that day. I think we had a few more each. Nothing big, either. They were all Juners, averaging around the pound mark. We didn’t see anything of the massive, fabled end-of-season Lough Currane sea-trout. But this day out on the water was a milestone in my angling career – and in some way, in my life. It symbolised the start of many ‘firsts’, among them the start of what is sure to be a life-long love affair with that nomadic, migratory and maddening fish, the sea-trout. It was the first time I’d ever fished in Ireland and the first time I’d ever fished a lough with a gillie. And last but not least, it was the start of my detailed involvement in the Nomads project. Currane was the most wonderful place to kick it all off. In my imagination, in the depths of winter or when I’m tucked up in bed, I often revisit that day. And when I do, I’m overwhelmed with a sense of warmth and peace. I can still smell (and taste) the lough and remember every intimate little detail. It’s strange that these memories of three years ago are so intense given that I can barely remember what I had for tea last night.
As I sit here working at my desk in our little flat in Amsterdam, I’m also preparing for another change. Another milestone in life’s great adventure is about to pass, because I’ve just accepted a job in Toronto which means packing all our belongings into a shipping container, saying goodbye to our friends and family and travelling across the Atlantic to begin the next chapter of our lives. But I’ll still return to Ireland to make fishy pilgrimages long after this book is finished. I am, as they say, ‘hooked.’
During the writing of this little story, I experienced another mind-blowing first. My beautiful wife, Nicole, and I discovered we’re expecting our first child. We’re having a son. We think we’ll call him Gus. Will he be a fisherman, just like his dad? Who knows? But one thing’s for sure. He’ll have to read this book and maybe one day he’ll nag me to take him fishing in Ireland to catch his first sea-trout. I couldn’t imagine anything better. So here’s the relevant sentence in writing.
Dear Gus, will I take you fishing for sea-trout in Ireland?
I promise I will.

copyright James Sadler, 2010, revised 2012

11 Feb 2012

Ken Whelan's website

Ken's new website has just gone live at

 http://www.kenwhelan.info/

5 Feb 2012

Surface Lure

'I made one,' wrote Denis, 'in your favourite colours - black and yellow.' Well, yes, I do very much like black and yellow on sea-trout patterns because I suspect the contrast shows up well in many different kinds of water - clear, post-flood, more or less peat-stained and so on. And I'm quite sure this Surface Lure will work wonderfully well. The only thing I'd possibly change is to replace the treble with a debarbed double or even a single.

Please also see 'Denis's video-boxes' in the next entry.

Denis's video boxes

The reader will recall that Denis O'Toole is very kindly making many of the flies that will appear as illustrations of dressings given in the Nomads text. (I finished the relevant section of text just before Christmas.) I thought it would be particularly appropriate if most if not all of the flies that will appear were to be dressed by native Irish fly-dressers, and Denis is certainly one of the best I've encountered. To my astonishment and delight, two days ago a package arrived, postmarked Ireland. Inside were two video-boxes, each filled with dressings corresponding to the draft text I'd sent Denis just before Christmas. Denis even made kind comments about the text, which commentary was well above and beyond the call of duty but very pleasing nevertheless. I'm more than grateful: Denis has done so much more than I ever could have expected and the whole book will benefit as a result.

From top: traditional patterns including Bumbles, Zulus and Delphis; Medicines (Falkus/Rawling original dressing, with silver-painted shank); various wet Daddies, including the red version (my own favourite) and green version; various Snakes, Sunk Lures and Surface Lures, the last including dressings with clipped deer-hair and also foam.

7 Jan 2012

Yet more Irish sea-trout flies....

Because I've been working on (and have just finished) the draft section of Nomads text relating to fly patterns for white-trout then obviously I've been thinking through colours, translucencies, sizes and dressings and taking some photographs to accompany the text. I've set the text out into sections about stylisation and representation (of the two, stylisation is by far the most important...usually) and from there have gone on to discuss patterns for saltwater and then freshwater, including patterns for night fishing. The 'flies for freshwater' section is itself sub-divided into remarks about black-based, blue-, yellow/orange- and claret-based patterns since I tend to think in those terms - colour and translucency - when selecting patterns for the lough, with the selection depending on the relative clarity of the water, the sunshine or cloudiness of the day and the freshness of the fish. Pictured below are some wonderfully effective traditional patterns together with an experimental tying I was given by one of the great Currane gillies last year:

Connemara Black, here in a version tied by Brian McShane.

Dunkeld. Great fly for peat-stained water and days of sunshine.

Teal, Blue and Silver - a fly I'd never want to be without, and particularly effective on fresh-run fish.

 
Clarets, blues, yellow-oranges form the palette of many West of Ireland white-trout patterns....

And yet I suspect that I'm far too hidebound when it comes to pattern selection. White-trout are in some ways capricious, even playful, and can take experimental patterns spectacularly well on occasion. Here's one such experimental tying that was doing good work on Currane last July. Unfortunately I can't tell you its name, nor even the name of its creator, but include it here simply to illustrate what can be the persuasiveness of the hitherto unsung:

25 Dec 2011

Who was Watson?


I've spent the past few days drafting words about fly patterns for Nomads. One such pattern is the Watson's Fancy - an absolute nailer, though I've fished it less often, perhaps, than I should have done over the past few years. When I was researching the history of the pattern of course I wondered about the name. All I've come up with so far is that Watson of Watson's Fancy was one Donald Watson of Inverness. If anybody knows any further details, please let me know.

20 Dec 2011

More Irish sea-trout flies

More sea-trout patterns (mostly my own tyings, incidentally, apart from the Gadgets, which were tied by Lindsey Clarke). From top to bottom: Worm Fly (useful in saltwater when ragworms are about); Derry Bull (shrimp-suggesting pattern); Gadgets and Storm Fry (again, mainly saltwater patterns); Raymond (variant, useful on the lough); Blue Snake and White Lure (useful on the estuary or occasionally on running water at night).



27 Nov 2011

The work of Denis O'Toole: the Delphi


Denis has today very kindly sent me some photos of the flies he's making for the Nomads text - whose section on fly-making I'm coincidentally working on at present. Among Denis's tyings is that for the blue version of the Delphi. Now, I have no idea what the Delphi, either in the original black version or in this blue variant, is supposed to represent, if anything (a mutant shrimp? a small fish?) but I do know it's a wonderfully effective Irish sea-trout pattern tied in sizes 10-14. I use it often as a dropper pattern on the estuary if there's little seaweed in the channel (droppers and seaweed shouldn't mix) and it fishes at almost any position of a standard three-fly leader on the lough. For the blue variant I favour this kingfisher blue - something that Denis must have intuited - simply because it seems relatively visible in clearish water - more visible than royal or navy blue. And I like the mix of holographic silver tinsel, too, since that is less prone to rapid tarnishing than standard medium flat silver material.

13 Nov 2011

The work of Denis O'Toole


One of the great pleasures of 2011 was meeting Denis O'Toole. Denis has the distinction of having caught (and released) a 16lb. sea-trout on an Irish East coast river earlier this summer - a massive fish which took one of Denis's tyings of a tube-fly. Having fished with Denis and his angling companion, Dean Kennedy, I can say that Denis's approach to his sea-trout fishing is equally distinctive and knowledgeable. It's vanishingly rare, for instance, for me to peer into others' sea-trout fly-boxes and instantly find a fellow-traveller - someone for whom sea-trout fishing began as a hobby but acquired all the dimensions of a way of life - and in that respect, Denis's sea-trout flies were telling: wonderfully tied and with superb proportions. The tube in the shot, for instance, has a (hair) wing incorporating a bit of flash and one extending properly (no further than the beginning of the bend of the hook); it's tied on a (Partridge Salar) single; it's beautifully finished and likely to be durable. The pattern has a good silhouette, a slim profile, and the gleams of flash will catch any light transmitted underwater. It...speaks: 'I shall catch sea-trout - often'.

6 Nov 2011

Switch casting


Currently I'm working on a long section of Nomads text relating to (the history of) Irish sea-trout tackle and will shortly embark on another long section about (the history of) Irish sea-trout flies and fly-dressing. Here and there I've written about the techniques that may appropriately be used by fly-fishers and others. Among those techniques is the use of the switch cast, which seems to be fundamentally a modified single Spey. Accordingly I researched the history of the switch cast - and stumbled across this illustration (http://en.wikipedia.org/wiki/File:TheSwitchCast-The_Salmon_Fly.JPG) from the pages of Kelson (1895). Absolutely splendid, isn't it?

19 Oct 2011

Flash Sunk Lure


A prototype of this kind of Sunk Lure - I've no idea what to call it - was tried out in Kerry last month. A small shoal of finnock found the lure to their liking - so much so, that one fish wolfed the tandem in a way that obliged me to unclip the forceps. Fortunately I'd nipped down the barbs of the hooks and the fish swam away strongly. There were sandeels around in the estuary, and I've no doubt that the sea-trout mistook the lure for a sandeel. That said, the same shoal of fish looked at Claret Bumbles, Black and Yellow singles and Medicines with almost the same eagerness, so I don't deduce much from the encounters. Still, perhaps a lure like this is worth further experiment. Total length of lure around 1.5-2 inches; size 8 Kamasan B175 hooks; 20lb. Stren to join the hooks (Falkus/Rawling method); silver or pearly nail varnish for the body; red varnish for the head; red silk.

One tying note: it's important to keep the tinsel 'wing' to the correct length. Too long a wing and the fibres will want to wrap themselves round the rear hook, which is bloody irritating. To avoid cursing, ensure that the trailing (rear) edge of the tinsels is roughly level with the barb of the rear hook.

I enjoy tying with tinsel (experiments with various Flash Flies for pike over the past few years have taught me a fair bit, I hope), and a silver Flashabou wing is light, mobile, repels water and is therefore easy to cast. I tie in three or four strands of peacock (eye) feather to suggest a back to the lure and possibly make the lure easier for the fish to see in silhouette, but I doubt that's really necessary so long as the size and general profile are right.

16 Oct 2011

A note on a fly-tying note


Below there's an entry on Sunk Lure mounts. Last night I went back to some research of my own - 'research' sounds rather grand, it's more of a gentle and sporadic investigation - into the work of the angler and poet Tom Rawling, who fished with Falkus during the 1960s and 70s and who spent many winter evenings, over several years, designing and tying various prototype Sunk Lures. Tom's tying notes, liberally scrawled over by Falkus, are detailed, meticulous and fascinating. The image shows a foolscap page of such notes (and there are many, many more like this). Tom and Falkus favoured a brace of size 4 Veniard hooks and 20lb. nylon to join them.

15 Oct 2011

A note on blue


Blue - blue hackles, blue tinsel - is an important component of many sea-trout flies. Think of the Teal, Blue and Silver. Yet there's blue and there's blue. I find that a bright, pale blue - an almost iridescent blue - is rather better than, say, midnight blue or even kingfisher blue. The shot illustrates the kind of blue I'm on about. The image was taken a year ago when I was fiddling about with Sunk Lures (and please see entry below) and blue hackles. Photographed under a desk-lamp, this blue was a revelation: it was practically luminous.

A note on Sunk Lure mounts


I've been all round the houses with this one over the years: standard Rawling/Falkus mounts; hollow braid mounts; twisted nylon and/or solid braid mounts.... The hollow braid mounts I was experimenting with last year, and which I used this season, are OK but after a session or two the waterproof superglue wears away from the braid and the rear hook has a tendency to sag. Sagging is distinctly not encouraged. It's fixable (simply run another application of glue across the braid, allow to dry, and fish again) but it's not ideal. Therefore I think there's merit in returning to the old but reliable Falkus mounts. I use red silk, then 20lb. Stren to join two size 8 or 6 hooks. Apply a coat of waterproof superglue and allow to dry. Instead of silver paint I use pearlescent nail varnish, and make three applications.

I'm inclined to use Sunk Lures in saltwater, particularly (of course) when there are sandeels in the estuaries and channels I'm covering. I've not used them extensively at night in freshwater, since if I do need to fish a touch deeper after midnight then in Ireland I prefer using intermediate lines and small doubles. I dare say if I were to fish more in the English Lake District or Wales that would change.

29 Sep 2011

Travels with a volcano 1: Kerry in September



Last week I returned from a sea-trout trip to Kerry. It was for a number of reasons a tough trip, and for four days there were almost continual storms which made fly-fishing difficult. Hard to cast a fly when waterspouts are sweeping down the estuary.... Still, I got a few fish, took some photographs, and encountered sea-trout on three different waters. The following blog entries give a short and selective tour of the trip. The current image shows breaking waves on an inlet at the western end of Brandon Bay (Dingle peninsula).

Travels with a volcano 2: Kerry finnock




One sea-trout mark I'd never expected to fish was a channel off Fermoyle Strand (Dingle peninsula). There were some small sea-trout moving up and down the channel, and there must have been some bigger fish among them (though we didn't connect with any of these last). Nevertheless, the finnock would take small silver-bodied wet-flies, or tandem Sunk Lures, rather well at times, and I very much enjoyed and learnt a great deal from these minor encounters. In that respect the relative success of the braid-mount Sunk Lure (size 8-10 tandem, dressed with a tinsel-and-peacock 'wing') was very heartening: the finnock took it well, and by no coincidence whatsoever there were at the time large numbers of sandeels in the channel. (Angler: David Knowles.)

Travels with a volcano 3: The Kerry Owenmore




The Kerry Owenmore is a lovely spate river which tumbles from the Dingle mountains to meet the sea at Brandon. There are at least three fishable loughs on the system and the scenery and management of the stream are alike splendid. The only problem during our visit was that the sea-trout hadn't seemed to run, and there were only a few grilse about, despite the fact that we were fishing in absolutely perfect water conditions (a big and dropping flood). Despite our entire lack of success, however, I thoroughly enjoyed my visit...and in a strange sort of way also enjoyed watching waterspouts sweeping down Brandon Bay during an afternoon of intense storms. (Angler: David Knowles.)

Travels with a volcano 4: The Feale



The Feale (north Kerry/Limerick) has a reputation as one of the best sea-trout rivers in Ireland. Yet for some reason the river has fished badly for sea-trout during the past two seasons. The photograph may give a clue as to why: it shows net-marks on a Feale sea-trout, a fish of around 1lb. which took a small double. It was the only sea-trout we moved during a day's fishing in apparently perfect water conditions.

Travels with a volcano 5: A case for decoking




Volcano kettles (also known as Kelly kettles) should in my view be covered in soot and the residues of decades'-old lunchtimes on storm-swept islands. Yet as David Knowles pointed out, if you allow soot and tar to build up on the inside of the kettle then this significantly slows down the brewing process, and therefore you have a case for serious decoking. I was most reluctant to decoke the kettle, but it has received treatment from the wire brush since this photograph was taken (September 2011, and a tributary of the Feale). I thoroughly enjoyed taking the volcano with me on this trip. Very often, volcano-stops are among the best parts of the angling day.

Travels with a volcano 6: Corny Gorman's flies




I took with me the two volumes of O'Gormans Practice of Angling (1845) in the Flyfishers' Classic Library (1993) edition. A frontispiece of the edition shows flies tied by Cornelius Gorman at the end of the 18th century. They're quite beautifully tied and I'd use some of them, including the one shown here, without hesitation today.

Travels with a volcano 7: The Cummeragh



The mouth of the Cummeragh is one of the most hard-fished drifts on Currane. It provides fishing for spring salmon (in particular), but sea-trout also lie all over the bay. Here's a fish which took a Bloody Butcher (point) early one September day. I was particularly pleased to get this one because Tom (O'Shea) had turned his nose up at my choice of fly - he'd have preferred me to fish three Bibios, I think.

Travels with a volcano 8: Four Sisters



Four Sisters is a drift on Currane east of Church. There are four upstanding rocks which provide lies in the lough for both salmon and sea-trout. Here, a stale 2lb sea-trout is being returned by Tom O'Shea - a fish which took at the same time as a decent brown of around 1lb., so Tom had his hands full for a while.

Travels with a volcano 9: Church Island



Church Island on Currane is one of the world's great sea-trout drifts. The anglers in this shot are playing a 6lb. grilse - part of a catch of 15 small sea-trout and a salmon which they released during one morning's work on Church. Church has never been that kind to me, but it's always a privilege to fish here and I can never fish these waters without excitement and anticipation.

27 Aug 2011

More from the Irish East coast 1




The Dargle has always been known as a 'big sea-trout' river. We fished a stretch of it one night at the very kind invitation of Hugh Duff, and although we released no giants, I did manage to conjure a 3lb-er from the darkness. The fish was expertly netted, unhooked and released by Hugh, whose work with the forceps you can see in the shot.

More from the Irish East coast 2




One of the most astonishing little sea-trout I've ever caught, taken late one night from a resolutely urban area in Co. Dublin. I got another finnock soon afterwards, and on the previous night, Ken had also released two finnock - when we'd also been surprised by an otter.

More from the Irish East coast 3




Three men - Ken Dodd, Stephen Byrne and one Ken Whelan - and a bridge on the Boro river, a tributary of the Slaney. The Boro was running desperately low, and we caught nothing except some complacent and fat little brownies. Oh well.

More from the Irish East coast 4




A surprise, this - a specimen dace (not less than 12oz., we estimated) from the Nore, taken on a Teal, Blue and Silver.

More from the Irish East coast 5



A sensible way of cooling off after a rugby match at Inistioge.

More from the Irish East coast 6


Big Silver Blue (size 6) on a low-water Wilson iron. This worked fairly well on the Boyne estuary, where there were millions of small sandeels present.